Certain times we had to embrace the sun a little bit and our joke was ‘ok, well it’s a dream anyway.’ Filming in the Rain: Safety First That contributes to the look of the film in a way that’s hard to describe. I had wonderful help from a fantastic key grip Ray Garcia, who plotted the course of the sun, and was able to block the sun out with a number of different devices, of condors and cherry pickers and getting on roofs and putting up flags. After I stopped praying for it to be overcast after months and months, I gave up on that and started doing my homework to try and figure out where exactly the sun was going to be at what time of day, and do my best to shoot around it. To try and make it look like an overcast day when it’s sunny out. The filming posed a particular challenge for me in terms of the lighting. Academy Award-winning cinematographer Wally Pfister shared his experience with working in the midday sun on Inception: Working out the configuration of the shoot to portray overcast lighting will be the hardest challenge of them all. ![]() It is critical to point out that using any rain system on a sunny day will completely ruin the illusion of it being a rainy day. As special effects supervisor Chris Corbould says in the Inception BTS video, “It’s not a common practice to shoot a rain scene in daylight.” With the mention of sunshine, we come to one of the most important aspects. This can be perceived as sunlight and will look incredibly odd for an exterior shot on a rainy day.
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